All Elite Wrestling (AEW) closed out its September 3 episode of Dynamite at the 2300 Arena in Philadelphia, Pennsylvania, with an impactful stretcher angle involving Kenny Omega. This storyline development was used to address Omega’s absence on upcoming AEW programming and explain why he will not appear at AEW All Out: Toronto later this month.
Despite the surprise from fans given the event’s Canadian location, the decision to write Omega off television was planned well in advance and connected to his scheduled time away from AEW.
Planned Absence Reflects Long-Term Scheduling and Travel
AEW insiders have confirmed that Omega’s removal from the active roster stems from prearranged time off scheduled months ago. He is expected to travel to Japan soon, a trip that has influenced this storyline choice. Though Omega has acknowledged working through pain for some time, his physical condition was not the primary factor behind the stretcher angle.
As it stands, Omega will not participate in the September 20 AEW All Out event in Toronto. The stretcher segment involving Kyle Fletcher on the September 3 Dynamite acted not only as a way to justify Omega’s absence but also as an opportunity to position Fletcher in a prominent storyline role.
Impact of the Angle and Future Expectations
This development serves a dual purpose for AEW’s narrative and talent management. It provides a plausible on-screen explanation for Omega’s hiatus, maintaining storyline continuity while protecting his character. Meanwhile, spotlighting Kyle Fletcher suggests AEW’s intention to elevate newer talent in Omega’s temporary stead.
Fans awaiting All Out will not see Omega in the match card, but this angle preserves anticipation for his eventual return. Moving forward, AEW will continue adapting storylines around Omega’s availability while managing key talent rotations.
Broader Context Within AEW and Wrestling News
The stretcher scene with Kenny Omega fits within a dynamic period for AEW, where the company carefully manages talent appearances and story arcs amid upcoming major events. This move also contrasts with ongoing wrestling news, such as reports involving figures like Tony Khan’s fundraising efforts and developments in WWE talent changes.
Overall, AEW’s approach underscores the complexities of balancing live event storytelling with real-world scheduling demands. This angle is a strategic choice reflecting both the company’s long-term planning and respect for its performers’ needs.
