Bronson Reed reflected on the importance of entrance music during his independent wrestling career, highlighting how it shaped his identity in the ring. Before joining WWE, Reed frequently used the track Guillotine by Death Grips, released in 2011, as his theme. In a recent interview with AFL Today, he expressed nostalgia for that era and the connection he felt with the song when entering the arena, underscoring how entrance music sets the mood for a wrestler’s performance.
Triple H’s Reaction to Reed’s Original Theme
Reed shared that when he introduced Guillotine to WWE executive and boss Triple H, the response was less than enthusiastic. Reed explained that Triple H was not particularly fond of the track and speculated that the setting in which it was played—likely on a phone rather than in an arena—affected his reaction. He suggested that the intense atmosphere, complete with the full sound experience, was crucial to appreciating how the song complemented his presence.
Well, the thing is, this is going to expose my boss, but he’s a good dude, I once showed ‘Guillotine’ to Triple H and he was not a fan. I think maybe he didn’t listen to it in the right atmosphere. You know, listening to something on your phone and then hearing some crazy man start rambling. I’m like, if you heard it in an arena with the bass and the treble and stuff, then you would understand it works. But yeah, he was not a fan of ‘Guillotine.’
– Bronson Reed, Wrestler
Significance and Future Considerations
This insight into Reed’s experience with his old entrance music reveals the challenges wrestlers face when transitioning to WWE, especially regarding creative control and personal expression. While Reed currently has a theme in WWE that suits him, his fondness for his previous music demonstrates how integral that element is to his identity. As WWE talent continue to negotiate their image and presentation, such behind-the-scenes perspectives highlight the balancing act between artistic vision and corporate preferences.
